Science Fiction - Brand New

The long awaited release.

Science Fiction marks the first full-length release from Brand New since 2009's Daisy, and what is supposedly the last release from the band for their career. With that in mind, it feels a little more special, a little more sacred to listen to this album and know it's the last new Brand New music we're going to get. This release sees the band exploring a lot of ground, in terms of sounds and lyrical content, that is not quite what we're used to.

"Lit Me Up" opens the album with a dark, unsettling intro of recordings describing the dream of a patient in therapy. It eventually opens up into an actual song, which is brooding and creeping in the composition and vibe created. The bass line for the chorus is subtle and smooth, yet captivating; quite possibly my favorite aspect of the song.

"Can't Get It Out" feels a bit more like the Brand New of 2006, a mix of acoustic and electric angst that gets you nodding along but also deep in thought. This is something the band has done well in the past, and something they're still able to pull off well. It does feel different than before, given it's been 11 years since The Devil and God Are Raging Inside Me hit the scene. It feels not as full of rage, of pure youthful rage as they try to discover where they belong and who they truly are. The quest for self discovery, for the right words and right sounds that the band has struggled with before is still there, but it's less intense, a hint of resignation creeping into the tone of this and the other songs.

"Waste" and "Could Never Be Heaven" leans away from the rage and more into the sorrowful, thought-provoking territory. The former has a bit of a sweeping sense to it, building up a bit more with the help of the entire band. The combination of the sharp drums with the almost lazy, lethargic-sounding acoustic guitar gives a subtly contrasting instrumental for lyrics that are a contrasting in of themselves, a conversation of sorts between lead singer Jesse Lacey and his past self. It reflects on who he used to be, who he has become, and the imminent end of Brand New that the band has referenced multiple times in the build up to this album. The later takes a quieter approach, simply comprising of finger-picked acoustic guitar and vocals that sing of heaven, love, and what those things mean together for Lacey. It's got some very pretty moments, with the vocals and harmonies, acoustic guitar, and very faint electric guitar all working together to enchant the listener in this dark, fairy tale sound.

"Same Logic/Teeth" begins with these push and pull phrases, going from vocals and guitar to drums and a guitar riff, back and forth, all the while building the sounds up as they begin coming together till the chorus brings some of Lacey's screamiest vocals on the album. Contrast is a very well used tool on this song in particular, with the pre-chorus having an almost dreamy quality to it, whereas the the chorus features Lacey's angst and this picked acoustic guitar line that somehow stands out amongst the distortion. The highlight is the bridge, which grows into this roaring moment where the whole band is going at it with a fury, yet throws it in reverse moments later for the outro that ends the song like it began; vocals and acoustic guitar.

"137" broods in its beginning, simply a guitar line and low vocals. It's a fitting setting for lyrics that discuss the notion of nuclear warfare and the consequences that path holds. The real highlight of the song is the shift at about 3:40 into the song, from acoustic guitar soloing to the gritty electric guitar and crashing drums. It's an incredibly intense moment, giving the song a whole new depth and epic feeling to it, and especially feeding into the lyrical content.

"Out of Mana" continues to revive the angsty tone, especially in the guitar lines, both lead and rhythm. It mixes this interesting lyrical content of subtle fantasy and video game themes with issues in real life, giving reference perhaps to the title of the album, Science Fiction. The most memorable part of the song is the guitar line that pops up throughout the track. The outro of the song is somewhat odd, with random ringing chimes that lead into a simple and short song comprised of acoustic guitar and vocals that's slightly compressed in terms of the sound.

"In The Water" has this slow and somber sense to it, with a hint of southern twang in the guitar parts throughout. It feels very different from a lot of Brand New's material that we've seen previously, with a desperate sense filling the listener up as the song goes on, especially during the vulnerability of the chorus as the band cries out, through voice and through instrument, with lines like "Drowning in the grace".  The harmonica near the end of the song really finalizes the southern vibe of the track. The song also ends with an outro like "Out of Mana", this time with someone saying

"And we sing this morning that wonderful and grand ol' message
And I don't know about you, I never get tired of it"

and then a voice saying "Seven years" exactly seven times over very dissonant sounds. A chilling way to end the song.

"Desert" continues the southern feeling, with a bit of a gospel vibe as well during the chorus.  Lyrically, it is very critical of hypocritical Christians who practice hatred towards those of the LGBT community and towards immigrants. Whether the combination of the southern and gospel tone with the lyrical content was intention of the band or not, it seems pretty purposeful. The ending line of the song really brings together the contradictory nature of the Christians the song addresses; "God is love", really evoking strong imagery with the listener. It's a powerful, not-so-subtle song.

"No Control" has a bit of a '90's, somewhat more acoustic Weezer feel to it. It comes off as a bit carefree, not being quite as heavy as some of the previous tracks in terms of instrumentation of lyrics. The actual song ends a bit before the 3 minute mark and is followed by yet another outro, this one consisting of a heavier, punk-ish instrumental and a distorted recording of someone singing. It's quite creepy, as the person in the recordings begins speaking nonsensically and just laughing insanely.

"451" picks up the pace a bit and brings back the southern feel, this time mostly from the twang in the guitars and the driving beat that brings galloping horses to mind. It builds well, growing from a more subdued intro and verse into an almost thunderous chorus, lead by the drum beat in particular and the southern rock influenced guitar riffs. The bridge showcases some really great simultaneous guitar solos that eventually lead into the key change and the final chorus.

The album ends on the final, eight and a half minute long song, "Batter Up". A simple picked guitar line sets the stage for the vocals, layered with echos and harmonies that give it a surreal quality. It stretches on, the type of song you listen to as you lay in bed and stare at the ceiling, lost deep in thought. Lacey seems to be reflecting on the life of Brand New with this song, especially the chorus:

It's never going to stop
Batter up
Give me your best shot
Batter up
Never gets forgot
Batter up"

which could reference the notion that despite the band dismantling next year, their music will still exist and will still live on without them. It's a bittersweet ending, especially knowing it's the last song, of the last album from the band. The song ends with some very sci-fi sounding noises, almost bringing some sort of alien encounter to mind, which feels a fitting way to end an album named Science Fiction.

Overall, this album is intense. It's not an easy album to listen to, it carries such weight to it. The entirety of the band's career has been squeezed into the album, all the regrets and disappointments and anger and bitter feelings that have been evident within the band's music throughout their time together. It is most definitely a work of art; something that takes time to pick apart and appreciate, and something that isn't going to settle quite right with everyone. It's honest and vulnerable, as music should be, and something that Brand New has done an excellent job of over the years.

Rating: 4/5

Recommended: "Lit Me Up", "Same Logic/Teeth", "137", "451"

Related: Taking Back Sunday, Balance and Composure, Manchester Orchestra